I have spent the majority of my life in the arts: going to museums and galleries, working in galleries and as a studio assistant, writing criticism, attending art fairs, active in publishing an art & fashion magazine, teaching art history, etc.
And while I have actually made art my entire life, it is only relatively recently (the past ten years or so) that I have come out of the "art closet" and called myself an artist without apology. I paint, create installations and do performance work in sacred clowning. I teach this work as well as create it for myself.
I hope to do large scale public sculpture at some point in the future.
I work in many media and in several different styles, including decorative, pop, primitive, conceptual and fine art. Take your pick. My feeling is that everyone deserves to have great art in their lives - and better yet, they should learn to make some and get an even better sense of what makes great art so invaluable.
Art brings our hearts and souls alive to the beauties of this world, beauty that is literally in front of us every moment of the day. We just need to open our eyes - both inner and outer - to see it.
My first big forays in painting occurred in the early '80s, and were very influenced by the neo-expressive movement of the East Village in NYC. I did some street art with my husband Cary Hart, and other media as well. I went through another big spate of painting in the mid '90s, and then finally really kicked into gear around 2000 or so, when I studied landscape oil painting with Margot Lennartz. I have been painting ever since.
These days I am far more likely to use my non-dominant (left) hand than not. I learned about this technique from Dr. Lucia Capacchione, and it opened up a whole world of expressive possibilities and freed me to get outside of my head and into my body.
Below are some excerpts from the SuperBrattyFlowerPower series. This began as a series of 100 paintings and quickly overflowed into studies for large scale sculpture and installation. The Brats are from another dimension, (which may or may not be virtual), and they are on a mission to learn what it is to be human. They are exploring the realm of emotion and since they are still quite young as humans, they try everything under the sun to see what happens! It's a lot of fun and also poignant and they are thinking about doing a movie, perhaps an adaptation of A Midsummer Bratty Eve.
My mother was a graphic designer and I spent my life surrounded by talented folks who were adept at making images of many sorts. I myself have several distinctive styles of image production, as you can see in this sampler below.
My digital artwork has been included in exhibitions at the Beall Center
for Art and Technology, the Bremen Kunsthalle and New York University,
and in 2001, I received a prestigious New York Foundation for the Arts
grant for my virtual world “Tobey Crockett’s Wild Frontier” (TCWF).
This virtual world as self portrait has been featured in talks at
Siggraph, the Refresh conference at Banff, The Society for Cinema and
Media Studies and numerous universities.
This is my virtual world which I began as a self portrait. Please watch
this mini documentary to get an idea of what can be possible once we
get away from the constraints of photorealism as an aesthetic to be
applied in cyberspace. I have written extensively about why this is an
out dated approach to new media.
Mother of Invention (1984)
My interest in interactive installations began while I was still an
undergraduate at Barnard. I designed some elaborate viewer activated works, analogue let me stress, one of which was "The Mother of Invention" seen below. The viewer
would approach the box, don a pair of headphones, place their hands in
giant electricians gloves as if in a bio-hazard containment unit, and
follow instructions that it was "OK to pick up the baby." As soon as
the viewer picked up the baby doll, lights came on, the television
sparked to life and various other elements kicked in, along with an
ominous soundtrack that commanded the viewer to "Put that baby DOWN!".
It was a part of 'The 1984 Show' at Kamikaze. My collaborators were Cary
Hart and Keith deMary. In retrospect these works were anticipating the blending of various types of digital streams common today.
Lady of the Lake (1995)
The haunting Lady of the Lake sculpture was installed in my garden in
Echo Park at Halloween in 1995. Her spooky lights, flowers in her hair
and raised sword struck some distinctive Dia de Los Muertos notes for
Bird Boxes (1985- present)
I created my first cabinet of birds in 1985 with assistance from my then
husband Cary Hart. I have recently re-approached this design problem
and am working on smaller, more portable and perhaps even solar
versions, using vintage birds and digital prints of my own design.
Performance Art & Sacred Theatre (2005 - present)
Drawing on my teacher training in Baby Clown,
plus many years of tai chi, qi gong and ecstatic dance, I teach a
movement class called Crazy Wisdom or Kachina Clown.
Crazy Wisdom is a Buddhist term
that refers to the tradition of the Holy Fool. It's about getting to
the juicy stuff and not worrying about what you look like - just having
the courage and the heart to "show up" and not "show off."
I have created a number of characters (Kachinas) for special occasions. Here is the Fairy Godmother of the North. With her
Bronx accent and her nineteen breasts, she is an updated tribute to
Artemis of Ephesus, a form of the ancient mother goddess.
I am fascinated by early representations of the feminine as Clown in
both ancient Greece and ancient Japan. In both cultures, it is an
obscene gesture by a middle aged woman that restores the world to
balance. For the ancient Greeks, the figure of Baubo lures Demeter out
of her despair with her sly joke at the well, whereas in Japan the kami
known as Uzume is able to cajole Ameratsu out of her cave so that the
Earth may flourish once more. Today seems ripe for more such gestures!
private appointments available
Far away? Long distance consulting via Skype: tobey.crockett
805 225 1083 or email@example.com
Content copyright . Tobey Crockett. All rights reserved.